Transformers have been in pop culture for generations. From the 80s television series to the live-action take from Michael Bay, people cannot get enough of the cars-turned-robots. Although the most recent entries have failed to gross even half the box office revenue compared to prior entries such as “Transformers: Dark of the Moon” and “Transformers: Age of Extinction,” Hasbro and Paramount are still churning out entries.
“Transformers One” directed by Josh Cooley, is the newest animated story in the long-running series, and the first animated feature since 1986’s “The Transformers: The Movie.” It follows the untold origin story of Optimus Prime and Megatron, known sworn enemies in the franchise. The film delves into their friendship before they turn into the big rivals depicted in prior films set in the universe.
The 2024 feature is historical, not only because it is the first animated film in the nearly 40-year history of this series, but it is the first entry not to include human characters. Critics have argued that the human characters in the films have done nothing but hold down the movies from becoming something more than the average blockbuster. One would think that it is such an obvious move not to include humans in a movie about robots, and this movie proves that it should have been the case from the start.
Having Chris Hemsworth voice Optimus Prime felt like a celebrity draw rather than inspired casting, but I am happy to report that he brings an excellent balance of levity and drama to his character, creating a personality that has yet to be depicted in this world. Brian Tyree Henry is equally excellent as Megatron, providing emotional weight to the film while bringing charisma to every scene. The film strikes gold whenever these two share the screen, and is one of the many draws of the film.
The other big standout in the voice cast is Keegan-Michael Key, who voices Bumblebee. Bumblebee has always been a quirky, inviting character on the team, and Key brings that essence to the character perfectly. He provides many of the comedic beats of the movie, which had my audience roaring with laughter from scene to scene. Scarlett Johannson, who plays Ariel, proves her worthiness as a voice actress but is sadly given little to do on a performance and character level.
One of the reasons Optimus and Megatron bring the film to a different level compared to other movies in this universe is due to the writing. Optimus and Megatron are incredibly well-rounded characters whose arcs take them on different paths of the traditional hero’s journey. Both have completely separate interpretations of their obstacles and experiences throughout, which brings an interesting dynamic to the film. While it is clear that you are supposed to side with Optimus and his morals, the film makes you empathize with both sides.
It is difficult to see another director bring as much impact to the Transformers franchise as Michael Bay brought. His focus on spectacle and breathtaking visual effects changed the game for what a blockbuster movie should be. That said, Josh Cooley does an equally excellent job despite his different approach. Cooley creates a colorful visual spectacle, bringing a childlike essence to the film which parallels the tone. The quick-cutting action setpieces give the film a break-neck pace, making the 104-minute runtime fly by.
My feelings on the actual storyline are a mixed bag. The focus on a mystery within the government was refreshing due to the adult nature of the topic, but the mystery itself is incredibly redundant. The way the mystery unfolds is identical to many dystopian films (i.e. “Divergent,” “The Maze Runner”). While I enjoyed the film’s attempt to take the franchise in new directions, I couldn’t help but compare its methods to other films, particularly, other films that handled it better.
What could have been a silly movie for kids, “Transformers One” brings a new style and energy to the franchise through stunning visuals and compelling characters. With simple tweaks such as removing the human characters, this film expertly toes the line of accessible sci-fi content while having plenty of satisfying moments for fans. Some may be tired of the long-running franchise, but this is the best-balanced film Hasbro has put out in a long time.
Trevor Stucker (he/him) is a junior majoring in Applied Film and Journalism. This is his third year writing for The Campus Citizen.
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